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MPM
(Barbara Mertz / Elizabeth Peters / Barbara Michaels)
Biography
in her own words
I spent the earliest years of my life in a small town in Illinois--and when I say
"small," I mean fewer than 2000 people. It was an idyllic sort of existence, I
suppose, except for a few minor disadvantages like a nation-wide depression and the fact
that my home town had no library. Luckily for me both my parents were readers. From my
mother and a wonderful great-aunt I acquired most of the childhood classics and a few
classic mysteries. My father's tastes were somewhat more eclectic. By the time I was ten I
had read (though I won't claim to have understood) Mark Twain, Shakespeare, Edgar Rice
Burroughs, Dracula and a variety of pulp magazines, to mention only a few. I can't
emphasize too highly the importance of this early reading experience--its diversity as
well as its extent. I will not claim that a writer must also be a compulsive reader, but
it certainly helps.
When I was in fourth grade we moved to a suburb of Chicago and I discovered the public
library. I read everything I could get my hands on, but didn't begin writing until I was
in high school. Oak Park-River Forest High was one of the finest public schools in the
country. I was majoring in history, but I had a minor in English and among the courses I
took was one in creative writing. It may well be that the first seeds of a desire to write
were planted during that course, when my teacher called me out of another class (a
definite no-no in those days) to ask whether I had--unconsciously, of course--plagiarized
the sonnet I had handed in the day before, That sonnet is the only thing I've ever written
that has appeared in a respectable literary magazine. We sent it to Saturday Review,
asking readers whether they could identify it. They couldn't. It was my own--such as it
was.
I didn't want to be a writer, though, I wanted to be an archaeologist. After graduating
from high school I went to the University of Chicago--not because it had a world-famous
department of Egyptology, but because it was close to home and I had received a
scholarship. My mother went back to teaching to help out with expenses, and I worked every
summer and part time during the year. Practicality was the watchword. I was supposed to be
preparing myself to teach--a nice, sensible career for a woman. I took two education
courses before I stopped kidding myself and headed for the Oriental Institute. I got my
doctorate there when I was twenty-three.
Much good it did me. (Or so I believed for many years.) Positions in Egyptology were
few and far between, and in the post-World-War II backlash against working women, females
weren't encouraged to enter that or any other job market. I recall overhearing one of my
professors say to another, "At least we don't have to worry about finding a job for
her. She'll get married." I did. And they didn't.
While I was raising my children--the most challenging, tiring, rewarding, demanding job
in the world--I still wanted to be an archaeologist. I had, however, become addicted to
mystery stories, and finally decided I would try to write one, It was awful. The second
was awful too. I rather enjoyed the process, though, and kept on scribbling. My husband's
job sent us to Germany for two years; the additional leisure (for we were able to hire
household help) and the stimulus of travel abroad allowed me to produce a book that
finally aroused some interest in publishing circles. It didn't sell, but it got me an
agent. Exasperated by his inability to sell the book, which he had liked, he demanded,
"Can't you write something else besides mystery stories?" Thus my first book to
be published was not a thriller but Temples, Tombs and Hieroglyphs, A Popular History of
Egyptology. It was followed by Red Land, Black Land, Daily Life in Ancient Egypt. Finally
that degree had "paid off," - in a way I never expected. I am modestly proud of
the fact that those two volumes are still in print over thirty years after they were
written.
Finally, in 1966, I managed to get a mystery novel published. The Master of
Blacktower appeared under the pseudonym of Barbara Michaels. I have written
approximately twenty-eight mysterysuspense novels under the Michaels name and another
twenty-eight under my second pseudonym, Elizabeth Peters. (The ostensible reason for using
pseudonyms is that readers need to distinguish the various types of books written by a
single author; Mertz writes nonfiction on archaeology, Michaels writes thrillers, many
with a supernatural element, and Peters focuses on mystery suspense. I find the various
names a horrible nuisance, but apparently readers do see a difference between the
productions of these personae.)
It has taken me over a quarter of a century to realize that I love to write, and that
this is what I should have focused on from the beginning. If I were superstitious, which I
am not--and if there were not so many examples that prove the contrary--I would fancy that
fate somehow pushes us into the kind of life that is best for us. I am still fascinated by
Egyptology and I have used my training, not only in the nonfiction books and articles I
have produced but in what is probably my most popular mystery series, written under the
Peters name: the saga of Victorian archaeologist Amelia Peabody, who has been terrorizing
nineteenth-century England and Egypt through ten volumes (so far). The research necessary
for these books is a joy in itself, and the characters have become almost frighteningly
real to me.
The research skills I learned can be applied to any field; I have used them to collect
background material for novels that deal with the Peasants' Revolt, Etruscan archaeology,
vintage clothing, the Risorgimento, the chartist movement, and innumerable other subjects.
Accuracy is very important to me as a novelist; not only does my own professional pride
demand it, but I have many readers whose expertise is at least as great as my own. They
can and do chastise me when I make mistakes. To err is human, but to err through
carelessness or laziness is inexcusable.
The craft of writing delights me. It is impossible to attain perfection; there is
always something more to be learned--figuring out new techniques of plotting or
characterization, struggling with recalcitrant sentences until I force them to approximate
my meaning. And nothing is ever wasted. Everything one sees and hears, everything one
learns, can be used.
At the present time I am living in an old farmhouse in the Maryland countryside. My
children are grown and married, with children of their own. I have four lovely
granddaughters, one of whom is already writing mystery stories, and two grandsons. I have
never been able to understand how people can complain about being lonely or bored; there
are so many interesting things to do, so many fascinating people to know. I love my work,
and I hope to go on doing it till I drop at the age of 99. In my spare time I collect
vintage clothing, cats in all forms, and a variety of other objects. My hobbies include
gardening, sewing (especially the construction of Victorian costume), reading, music,
embroidery, and long conversations with fellow mystery writers.
Books by MPM.
Just the facts, ma'am.
Barbara G. Mertz studied at the Oriental Institute of the University of Chicago,
receiving an M.A. in 1950 and a Ph.D. in Egyptology in 1952. In 1950 she married Richard
Mertz and had two children, Elizabeth and Peter. She was divorced in 1969. A past
president of American Crime Writers League, she presently serves on the Editorial Advisory
Board of KMT, A Modern Journal of Ancient Egypt and the Board of Governors of The
American Research Center in Egypt, as well as the Editorial Board of The Writer.
She is also a member of the Egypt Exploration Society, the James Henry Breasted Circle of
the Oriental Institute, and the National Organization for Women. Under her own name she is
the author of Temples, Tombs and Hieroglyphs, A Popular history of Ancient Egypt,
and Red Land, Black Land, Daily Life in Ancient Egypt. Under her pseudonym as
Barbara Michaels she has written twenty nine novels of suspense. As Elizabeth Peters, she
has produced twenty-nine mystery-suspense novels, many of them set in Egypt and the Middle
East. Dr. Mertz was awarded a D.H.L. from Hood College in 1989. The Mystery Writers of
America awarded her the MWA Grandmaster in 1998.
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